As a young gay African, I have been conditioned from an early age to consider my sexuality a dangerous deviation from my true heritage as a Somali by close kin and friends. As a young gay African coming of age in London, there was another whiplash of cultural confusion that one had to recover from again and again: that accepting your sexual identity doesn’t necessarily mean that the wider LGBT community, with its own preconceived notions of what constitutes a "valid" queer identity, will embrace you anymore welcoming than your own prejudiced kinsfolk do.

— Diriye Osman

As her body expanded so did her interior landscape. She imagined minarets, skyscrapers, entire cities being constructed inside her. Thighs thickened, belly became basketball-sized, buttocks deepened with dimples. Even her taste-buds shifted, and she held her tongue out for crushed ice, chalk, charcoal.

— Diriye Osman

Home is in my hair, my lips, my arms, my thighs, my feet and my hands. I am my own home. And when I wake up crying in the morning, thinking of how lonely I am, I pinch my skin, tug at my hair, remind myself that I am alive. Remind myself to step outside and greet the morning. Remind myself that it’s all about forward motion. It’s all about change. It’s all about that elusive state. Freedom.

— Diriye Osman

I have always been a loner. Even as a child, when my family and friends were off attending parties I would be sequestered in my room, sketchpad in hand, stereo by my side, listening to seductive R&B. Solitude was something I took for granted. Coming from a large family I needed solitude in order to think straight and paint my way out of confusion. My parents were accepting of the fact that I kept to myself, and they respected my decision even though it went against my Somali upbringing, a culture rooted in boisterousness and joie de vivre.

— Diriye Osman

I have been told many times by family, friends, colleagues and strangers that I, a black African Muslim lesbian, am not included in this vision; that my dreams are a reflection of my upbringing in a decadent, amoral Western society that has corrupted who I really am. But who am I, really? Am I allowed to speak for myself or must my desires form the battleground for causes I do not care about? My answer to that is simple: ‘no one allows anyone anything.’ By rejecting that notion you discover that only you can give yourself permission on how to lead your life, naysayers be damned. In the end something gives way. The earth doesn’t move but something shifts. That shift is change and change is the layman’s lingo for that elusive state that lovers, dreamers, prophets and politicians call ‘freedom’.

— Diriye Osman

In the Somali culture many things go unsaid: how we love, who we love and why we love that way. I don't know why Sultana loves the way she does. I don't know why she loves who she does. But I do know that by respecting her privacy I am letting her dream in a way that my generation was not capable of. I'm letting her reach for something neither one of us can articulate.

— Diriye Osman

In those sticky summer nights in South London our windows stay open, and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.

— Diriye Osman

I've always loved being gay. Sure, Kenya was not exactly Queer Nation, but my sexuality gave me joy. I was young, not so dumb and full of cum! There was no place for me in heaven, but I was content munching devil's pie here on earth.

— Diriye Osman

I want you to know that life will try to crack you like an egg and your silence will eventually break. Someday you will spill some of those painful secrets and taste a modicum of much-needed freedom. You will lose a great deal as a result, but the gains will outweigh every loss. You will love and be loved by a beautiful man in a place where your mutual passion won’t be a marker of shame but pride. Furthermore, you will be awkward and alone and alien for a long time, but you will transform these qualities, which is to say yourself, into a work of art. Furthermore, you will wear your awkwardness, your aloneness and your plainness in your hair like gold thread. Furthermore, you will adorn your cockiness on your wrist like a charm bracelet studded with stars.

— Diriye Osman

I was a reader before I was a writer, and when I started putting together my first collection of short stories, Fairytales For Lost Children, I drew on my rich history as a reader to try and create my voice. I wanted this voice to reflect my Somali background, my Kenyan upbringing and my London home. This voice would be a mashup of all the elements that formed my youth; the sticky-sweet Jamaican patois, the Kenyan street slang, my Somali and Italian linguistic tics, my love of jazz poetics and nineties hip-hop linguistics. This language would form the bed on which my narratives of love, loss, identity and hope would rest.

— Diriye Osman