All still lives are actually paintings of the world on the sixth day of creation, when God and the world were alone together, without man!

— Robert Musil

A man going quietly about his business all day long expends far more muscular energy than an athlete who lifts a huge weight once a day. This has been proved physiologically, and so the social sum total of everybody's little everyday efforts, especially when added together, doubtless releases far more energy into the world than do rare heroic feats. This total even makes the single heroic feat look positively minuscule, like a grain of sand on a mountaintop with a megalomaniacal sense of its own importance.

— Robert Musil

And after all, if stupidity did not, when seen from within, look so exactly like talent as to be mistaken for it, and if it could not, when seen from the outside, appear as progress, genius, hope, and improvement, doubtless no one would want to be stupid, and there would be no stupidity.

— Robert Musil

And so the mind or spirit is the great opportunist, itself impossible to pin down, take hold of, anywhere; one is tempted to believe that of all its influence nothing is left but decay. Every advance is a gain in particular and a separation in general; it is an increase in power leading only to a progressive increase in impotence, but there is no way to quit.

— Robert Musil

Anyone who still wants to experience fairytales these days can’t afford to dither when it comes to using their brains.

— Robert Musil

…. By the time they have reached the middle of their life’s journey, few people remember how they have managed to arrive at themselves, at their amusements, their point of view, their wife, character, occupation and successes, but they cannot help feeling that not much is likely to change anymore. It might even be asserted that they have been cheated, for one can nowhere discover any sufficient reason for everything’s coming about as it has. It might just have well as turned out differently. The events of people’s lives have, after all, only to the last degree originated in them, having generally depended on all sorts of circumstances such as the moods, the life or death of quite different people, and have, as it were, only at the given point of time come hurrying towards them

— Robert Musil

Es gift dimmer linen Punk data, to man night Meir was, ob man lust ode rob was, was man refunded hat, water is ALS man seller.

— Robert Musil

Even Diorama and Ahead were shy of using it without a modifier, for it is still possible to speak of having a great, noble, craven, daring, or debased soul, but to come right out with "my soul" is something one simply cannot bring oneself to do. It is distinctly an older person's word, and this can only be understood by assuming that in the course of life people become more and more aware of something for which they urgently need a name they cannot find until they finally resort, reluctantly, to the name they had originally despised. How to describe it, then? Whether one is at rest or in motion, what matters is not what lies ahead, what one sees, hears, wants, takes, masters. It forms a horizon, a semicircle before one, but the ends of this semicircle are joined by a string, and the plane of this string goes right through·the middle of the world. In front, the face and hands look out of it; sensations and strivings run ahead of it, and no one doubts that whatever one does·is always reasonable, or at least passionate. In other words, outer circumstances call for us to act in a way everyone can understand; and if, in the toils of passion, we do something incomprehensible, that too is, in its own way, understandable.

— Robert Musil

For a long time now a hint of aversion had lain on everything he did and experienced, a shadow of impotence and loneliness, an all-encompassing distaste for which he could not find the complementary inclination. He felt at times as though he had been born with a talent for which there was at present no objective.

— Robert Musil

For him morality was neither conformism nor philosophic wisdom, but living the infinite fullness of possibilities. He believed in morality’s capacity for intensification, in stages of moral experience, and not merely, as most people do, in stages of moral understanding, as if it were something cut-and-dried for which people were just not pure enough. He believed in morality without believing in any specific moral system. Morality is generally understood to be a sort of police regulations for keeping life in order, and since life does not obey even these, they come to look as if they were really impossible to live up to and accordingly, in this sorry way, not really an ideal either. But morality must not be reduced to this level. Morality is imagination. This was what he wanted to make Agathe see. And his second point was: Imagination is not arbitrary. Once imagination is left to caprice, there is a price to pay.

— Robert Musil