Brandon, until this very moment, the world and the people in it have always been dark and incomprehensible to me, and I've tried to clear my way with logic and superior intellect, and you've thrown by own words right back in my face; you've given my words a meaning that I never dreamed of, and you tried to twist them into a cold logical excuse for your ugly murder! Tonight you've made me ashamed of every concept I've ever had, of superior or inferior beings, but I thank you for that shame, because now I know that we're each of us a separate human being, Brandon, with the right to live and work and think as individuals, but with an obligation to the society that we live in. By what right do you dare say that there's a superior few to which you belong? By what right did you dare decide that that boy in there [he's referencing the dead body of "David," lying in a trunk in the middle of the room] was inferior and therefore could be killed? Did you think you were God Brandon? Is that what you thought when you choked the life out of him? Is that what you thought when you served food from his grave! I don't know what you thought or what you are, but I know what you've done—YOU'VE MURDERED! You've strangled the life of a fellow human being who could live and love as you never could... and never will again!

— Arthur Laurents

Drama is real life – with the dull parts left out.” Alfred Hitchcock

— Marja McGraw

I never make up anything. I get everything from my books. They're all true!" --Ann Newton/Shadow of a Doubt (1943)

— rebecca hitchcock

I said, "I don't think I can give you that kind of emotion." And he [Hitchcock] sat there and said, "Ingrid, fake it!" Well, that was the best advice I've had in my whole life, because in all the years to come there were many directors who gave me what I thought were quite impossible instructions and many difficult things to do, and just when I was on the verge of starting to argue with them, I heard his voice coming to me through the air saying, "Ingrid, fake it!" It saved a lot of unpleasant situations and waste of time.

— Ingrid Bergman

There's always one sure way of finding out that you're a misfit. When you're eleven years old, and your friends are telling you that they just sneaked into the theater to watch 'Twilight' and that it was "suitor emotional and suitor terrifying and societies romantic!" - but you've been spending the summer watching 'Rosemary's Baby' and 'Don't Look Now' and knowing the lines to all the Alfred Hitchcock films by heart - that's the moment you realize that you're a misfit.

— Rebecca McNutt

What is drama, but life with the dull bits cut out.

— Alfred Hitchcock

Wool rich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours' story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Wool rich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths.

— Francis M. Nevins Jr.