She’s thinking about grief and trauma, how they can hide out inside a woman, how they can come back. The playwright follows her eyes, until he sees what she sees. The photographer’s framed image, the orphan girl lit up by the explosion, a girl blowing forward, a girl coming out of fire, a girl who looks as if she might blast right through image and time into the world“I know what’s happened,” the poet says.

Lidia Yuknavitch

The Small Backs of Children

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