Is there anything sadder than the scrawniest little piece of uneaten chicken at a dinner party?”“Hmm,” said Jules. “Yes. The Holocaust.

— Meg Wolitzer

I think having the knowledge, plus the experiences you've lived through, make you definitely not fragile. They make you brave.

— Meg Wolitzer

It wasn't easy to understand how the love between two other people could diminish you. If those two people were still accessible to you, if they called you all the time, if they asked you to come into the city for the weekend as you'd always done, then why should you feel, suddenly, intensely lonely?

— Meg Wolitzer

Jealousy was essentially "I want what you have," while envy was "I want what you have, but I also want to take it away so you can't have it.

— Meg Wolitzer

No, of course not. I just feel content,” she said carefully.“That’s an old person’s word,” said Ethan.

— Meg Wolitzer

No one had told her this would happen, that her girlishness would give way to the solid force of wifehood, motherhood. The choices available were all imperfect. If you chose to be with someone, you often wanted to be alone. If you chose to be alone, you often felt the unbearable need for another body - not necessarily for sex, but just to rub your foot, to sit across the table, to drop his things around the room in a way that was maddening but still served as a reminder that he was there.

— Meg Wolitzer

Once, a few years earlier, Jules had gone to see a play at Ash’s theater, and afterward, during the “talk back,” when the audience asked questions of the playwright and of Ash, who’d directed the production, a woman stood up and said, “This one is for Ms. Wolf. My daughter wants to be a director too. She’s applying to graduate school in directing, but I know very well that there are no jobs, and that she’s probably only going to have her dreams dashed. Shouldn’t I encourage her to do something else, to find some other field she can get into before too much time goes by?” And Ash had said to that mother, “Well, if she’s thinking about going into directing, she has to really, really want it. That’s the first thing. Because if she doesn’t, then there’s no point in putting herself through all of this, because it’s incredibly hard and dispiriting. But if she does really, really want it, and if she seems to have a talent for it, then I think you should tell her, ‘That’s wonderful.’ Because the truth is, the world will probably whittle your daughter down. But a mother never should.

— Meg Wolitzer

People are always saying these things about how there's no need to read literature anymore-that it won't help the world. Everyone should apparently learn to speak Mandarin, and learn how to write code for computers. More young people should go into STEM fields: science, technology, engineering, and math. And that all sounds to be true and reasonable. But you can't say that what you learn in English class doesn't matter. That great writing doesn't make a difference. I'm different. It's hard to put into words, but it's true. Words matter.

— Meg Wolitzer

People like to warn you that by the time you reach the middle of your life, passion will begin to feel like a meal eaten long ago, which you remember with great tenderness.

— Meg Wolitzer

She understood that it had never just been about talent: it had also always been about money. Ethan was brilliant at what he did, and he might well have made it even if Ash’s father hadn’t encouraged him, but it really helped that Ethan had grown up in a sophisticated city, and that he had married into a wealthy family. Ash was talented, but not all that talented. This was the thing that no one said, not once. But of course it was fortunate that Ash didn’t have to worry about money while trying to think about art. Her wealthy childhood had given her a head start, and now Ethan had picked up where her childhood had left off.

— Meg Wolitzer