It gave her a sudden sense that it was now her turn to grow old, to find the world changing, sliding away from the old ways of being and behaving, so that you were gradually a stranger to the place you lived in. The woman priest with jogging clothes and a BlackBerry gave Mary a glimpse of what life must have been like for her mother as she grew older.

— John Lanchester

It’s as if people used the invention

— John Lanchester

London was so rich, and also so green, and somehow so detailed: full of stuff that had been made, and bought, and placed, and groomed, and shaped, and washed clean, and put on display as if the whole city was for sale.

— John Lanchester

No, Roger had not seen the funny side. But there had been a moment when, after looking at his watch, he had thought: I can remember when Christmas morning would start at about half past ten with a glass of Buck's Fizz in bed. Now it begins at half past five, with a test of my fine motor skills and ability to read Korean.

— John Lanchester

Of seatbelts as an opportunity to take up drunk-driving.

— John Lanchester

On the opposite wall was a Damien Hirst spot painting, bought by Arabella after a decent bonus season. Roger's considered view of the painting, looking at it from aesthetic, art-historical, interior-design, and psychological points of view, was that it had cost forty-seven thousand pounds, plus VAT.

— John Lanchester

Petunia only ever went to the doctor reluctantly, and her motive in doing so was always the same: she did it in order to feel less anxious about things. The doctor was supposed to make the worry go away; she did quite enough worry without actually having something to worry about. When she came out feeling no less anxious, as this time, something had gone wrong. The basic contract had been broken.

— John Lanchester

That was the main thing wrong with Mrs. Kamal. She spent such an extraordinary amount of mental energy feeling irritated that it was impossible not to feel irritated in turn. It was oxygen to her, this low-grade dissatisfaction, shading into anger; this sense that things weren't being done correctly, that everything from the traffic noise at night to the temperature of the hot water in the morning to the progress of Mohammed's potty training to the fact that Fatima wasn't being taught to read Urdu, only English, to the fact that Soyinka served only two dishes at dinner the night of her arrival in the cost of the car insurance for the VW Sharon to the fact that Shahid didn't have a 'proper job' and seemed to have no intention of getting one, let alone a wife, to the unfriendliness of London, the fact that it was an 'impossible city,' to the ostentatious way she complained about missing Lahore, especially at dinner time, giving meaningful, sad, reproachful looks at the food Soyinka had cooked.

— John Lanchester

The artist says to the cosmos: All I ask is infinite love-is that so very wrong? And the cosmos doesn't even bother to respond.

— John Lanchester

The idea of luxury, even the word "luxury," was important to Arabella. Luxury meant something that was by definition overpriced, but was so nice, so lovely, in itself that you did not mind, in fact was so lovely that the expensiveness became part of the point, part of the distinction between the people who could not afford a thing and the select few who not only could, but also understood the desirability of paying so much for it. Arabella knew that there were thoughtlessly rich people who could afford everything; she didn't see herself as one of them but instead as one of an elite who both knew what money meant and could afford the things they wanted; and the knowledge of what money meant gave the drama of high prices a special piquancy. She loved expensive things because she knew what their expensiveness meant. She had a complete understanding of the signifiers.

— John Lanchester