Zadie Smith
I am the sole author of the dictionary that defines me.
— Zadie Smith
I couldn't imagine her leaving this world without ripping its fabric.
— Zadie Smith
I'd decided to establish a new rule for myself: read for half an hour an evening, no matter what.
— Zadie Smith
I don’t want your babies, Felix. I can assure you I’m not sitting up here like some tragic fallen woman every night dreaming of having your babies.” She began tracing a figure of eight with her fingernail along his stomach. The movement looked idle, but the nail pressed in hard. “You realize of course that if it were the other way round there would be a law, there would be an actual law: John versus Jen in the high court. And John would put it to Jen that she did willfully fuck him for five years, before dumping him without warning in the twilight of his procreative window, and taking up with young Jack-the-lad, only twenty-four years old and with a cock as long as my arm. The court rules in favor of John. Every time. Jen must pay damages. Huge sums. Plus six months in jail. No—nine. Poetic justice.
— Zadie Smith
I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous, but they don't really want to do anything. Furthermore, I can't think of anything less worth striving for than fame.
— Zadie Smith
I have known many true connoisseurs, with excellent tastes that range across the humanities and the culinary arts--and they never fail to have a fatal effect on my self-esteem. When I find myself sitting at dinner next to someone who knows just as much about novels as I do but has somehow also found the mental space to adore and be knowledgeable about the opera, have strong opinions about the relative rankings of Renaissance painters, an encyclopedic knowledge of the English civil war, of French wines--I feel an anxiety that nudges beyond the envious into the existential. How did she find the time?
— Zadie Smith
In the end, your past is not my past and your truth is not my truth and your solution - is not my solution.
— Zadie Smith
In the middle of a novel, a kind of magical thinking takes over. To clarify, the middle of the novel may not happen in the actual geographical center of the novel. By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post—I mean when there is nothing in the world except your book, and even as your wife tells you she’s sleeping with your brother her face is a gigantic semicolon, her arms are parentheses, and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses.
— Zadie Smith
It became clear that Keisha Blake could not start something without finishing it. If she climbed onto the boundary wall of Caldwell, she was compelled to walk the entire wall, no matter the obstructions in her path (beer cans, branches). This compulsion, applied to other fields, manifested itself as "intelligence." Every unknown word sent her to a dictionary--in search of something like "completion"--and every book led to another book, a process that, of course, could never be completed. This route through early life gave her no small portion of joy, and, indeed, it seemed at first that her desires and her capacities were basically aligned. She wanted to read things--could not resist wanting to read things--and reading was easily done, and relatively inexpensive. On the other hand, that she should receive any praise for such reflexive habits baffled the girl, for she knew herself to be fantastically stupid about many things. Wasn't it possible that what others mistook for intelligence was in fact only a sort of mutation of the will?
— Zadie Smith
I think of reading like a balanced diet; if your sentences are too baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka as roughage.
— Zadie Smith
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