As a child, she’d always had what she imagined were fascinating thoughts, but didn’t ever say them. Once, as a little girl, at recess, she thought that if she ran very fast at a pole and then caught it and swung quickly around, part of her would keep going, and she would become two girls.

— Tao Lin

But then his parents changed. A year of California had changed them. They stopped sending money. Greg was forced to go out into the world, to interact with real people. And he was glad of this. He had always wanted to be a normal person. To be at ease in society. He had just been too scared to try. But now he was forced to, and so he did–he went and got a job at the public library. He was not quite a librarian, but close. Greg was a shelter. There would be carts of books to shelve, then there would be no more carts of books to shelve, then there would be carts of books to shelve. As a shelter, Greg felt that life was passing him by in a slow and distant, but massive, way–like the moon.

— Tao Lin

Does a society exist where it's become acceptable to wear 'helmets' enclosing one's entire head when in public to preempt social interaction

— Tao Lin

Everyone is folding boxes. Andrew is folding boxes. If the entire job were to fold boxes people would scream. They would fold, and sometimes scream, existentially, then be dragged into a field and beaten into a paste. Sometimes there would be a killing rampage.

— Tao Lin

Garret went across the street to the library. There was a hole in the sidewalk the size of a bathtub. Construction was being done, was always being done. It was the journey that mattered, Garret thought woozily, the getting-there part. The mayor, and then the president, had begun saying that. "And where are we going?" the mayor had asked. "When will we get there? What will happen to us once we get there?" He really wanted to know.

— Tao Lin

Gradually, after being the target a few times of a similar capriciousness, which he discerned as default behavior for most people, and not liking it, Paul learned to not be more generous or enthusiastic or attentive that he could sustain regardless of his mood and to not talk to people if his only reason to was because he felt lonely or bored.

— Tao Lin

He wanted to hide by shrinking past zero, through the dot at the end of himself, to a negative size, into an otherworld, where he would find a place— in an enormous city, too large to know itself, or some slowly developing suburb— to be alone and carefully build a life in which he might be able to begin, at some point, to think about what to do about himself.

— Tao Lin

In the parking lot, she drove and parked in a dark area with no other cars around. She reclined her seat, and listened to music. Outside there were trees, a ditch, a bridge; another parking lot. It was very dark. Maybe the Sasquatch would run out from the woods. Chelsea wouldn’t be afraid. She would calmly watch the Sasquatch jog into the ditch then out, hairy and strong and mysterious—to be so large yet so unknown; how could one cope except by running?—smash through some bushes, and sprint, perhaps, behind Walmart, leaping over a shopping cart and barking. Did the Sasquatch bark? It used to alarm Chelsea that this might be all there was to her life, these hours alone each day and night—thinking things and not sharing them and then forgetting—the possibility of that would shock her a bit, trickily, like a three-part realization: that there was a bad idea out there; that that bad idea wasn’t out there, but here; and that she herself was that bad idea. But recently, and now, in her car, she just felt calm and perceiving, and a little consoled, even, by the sad idea of her own life, as if it were someone else’s, already happened, in some other world, placed now in the core of her, like a pillow that was an entire life, of which when she felt exhausted by aloneness she could crumple and fall towards, like a little bed, something she could pretend, and believe, even (truly and unironically believe; why not?), was a real thing that had come from far away, through a place of no people, a place of people, and another place of no people, as a gift, for no occasion, but just because she needed—or perhaps deserved; did the world try in that way? To make things fair?—it.

— Tao Lin

I think it would be funny for people to read in obituaries of me that my major contribution to the arts was the popularization of the phrases 'neutral facial expression' and 'screaming in agony.'

— Tao Lin

It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she is the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy.

— Tao Lin