Nina LaCour
In the distance are the lights of town. People must be finishing their workdays, picking up their kids, figuring out dinner. They're talking to one another in easy voices about things of great significance and things that don't mean much. The distance between us and all of that living feels insurmountable.
— Nina LaCour
I sleep through the next day. Each time I go to the bathroom, I try not to look in the mirror. Once, I catch my reflection: it looks like I’ve been punched in both eyes. I can’t talk about the day that follows that.
— Nina LaCour
... I think that people who make judgements about other people they don't even know are shallow, and people who start rumors are shallow, and I really don't care what shallow people say about me.
— Nina LaCour
It isn't the happy ending Ingrid and I had dreamed up, but it's all a part of what I'm working through. The way life changes. The way people and things disappear. Then appear, unexpectedly, and hold you close.
— Nina LaCour
It isn't the happy ending that Ingrid and I have dreamed up, but it's all a part of what I'm working through. The way life changes. The way people and things disappear. Then appear, unexpectedly, and had you close
— Nina LaCour
It's about what I know is true. Because I'm looking at this bright red storm of color on a canvas, at all my delicate lines and passionate brushstrokes. I'm looking at something so urgent and true, so far beyond what I thought I was capable of making.
— Nina LaCour
It's a dark place, not knowing. It's difficult to surrender to. But I guess it's where we live most of the time. I guess it's where we all live, so maybe it doesn't have to be so lonely. Maybe I can settle into it, cozy up to it, make a home inside uncertainty.
— Nina LaCour
It's the opposite of the collapse of the fantasy. It's what happens when the illusion pales in comparison to the truth. I'm seeing her for the first time. Not Ava Garden Wilder, the rags-to-riches granddaughter of Clyde Jones. Not a tragic, romantic heroine. Just Ava. And I am utterly in love.
— Nina LaCour
It was the moment I realized what music can do to people, how it can make you hurt and feel so good all at once.
— Nina LaCour
I want to confess. I thought that her story comprised scenes. Furthermore, I thought the tragedy could be glamorous, and her grief could be undone by a sunnier future. Furthermore, I thought we could pinpoint dramatic events on a timeline and call it a life. But I was wrong.
— Nina LaCour
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