And I thought to myself how those fast little articles forget everything, everything, while we, old lovers, treasure every inch of their symphony

— Vladimir Nabokov

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of acidic prefiguration: the radial span of a spider’s web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving—to pluck a leaf from a bush or stroke a rock wall in passing—light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves.

— Vladimir Nabokov

And perhaps it was precisely because she knew nothing at all about chess that chess for her was not simply a parlor game or a pleasant pastime, but a mysterious art equal to all the recognized arts. She had never been in close contact with such people — there was no one to compare him with except those inspired eccentrics, musicians and poets whose image one knows as clearly and as vaguely as that of a Roman Emperor, an inquisitor or a comedy miser. Her memory contained a modest dimly lit gallery with a sequence of all the people who had in any way caught her fancy.

— Vladimir Nabokov

And Schooled launched on a discussion of politics. Like many unpaid windbags he thought that he could combine the reports he read in the papers by paid windbags into an orderly scheme, upon following which a logical and sober mind (in this case his mind) could with no effort explain and foresee a multitude of world events. The names of countries and of their leading representatives became in his hands something in the nature of labels for more or less full but essentially identical vessels, whose contents he poured this way and that. France was AFRAID of something or other and therefore would never allow it. England was AIMING at something. This statesman CRAVED a rapprochement, while that one wanted to increase his PRESTIGE. Someone was PLOTTING and someone was STRIVING for something. In short, the world Schooled created came out as some kind of collection of limited, humorless, faceless and abstract bullies, and the more brains, cunning and circumspection he found in their mutual activities the more stupid, vulgar and simple his world became.

— Vladimir Nabokov

And speaking of this wonderful machine:[840] I’m puzzled by the difference b

— Vladimir Nabokov

And speaking of this wonderful machine:[840] I’m puzzled by the difference between, the kind Which goes on solely in the poet’s mind, A testing of performing words, while he, The other kind, much more decorous, whence’s in his study writing with a pen. In method B the hand supports the thought, The abstract battle is concretely fought. The pen stops in midair, then swoops to bar[850] A canceled sunset or restore a star, And thus it physically guides the phrase Toward faint daylight through the inky maze. Is agony! The brains soon enclosed in a steel cap of pain. A muse in overalls directs the drill Which grinds and which no effort of the will Can interrupt, while the automatons taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before.

— Vladimir Nabokov

And this is the only immortality you and I may share, my Lolita.

— Vladimir Nabokov

And what agony, thought Drug the thinker, to love so madly a little creature, formed in some mysterious fashion (even more mysterious to us than it had been to the very first thinkers in their pale olive gloves) by the fusion of two mysteries, or rather two sets of a trillion of mysteries each; formed by a fusion which is, at the same time, a matter of choice and a matter of chance and a matter of pure enchantment; thus formed and then permitted to accumulate trillions of its own mysteries; the whole suffused with consciousness, which is the only real thing in the world and the greatest mystery of all.

— Vladimir Nabokov

And yet I shall try again: "they are murdering me!"--all right, all together once more: "they are murdering me!" and again: "murdering"... I want to write this in such a way that you will cover your ears, your membranous, simian ears that you hide under strands of beautiful feminine hair--but I know them, I see them, I pinch them, the cold little things, I worry them with my fingers to somehow warm them, bring them to life, render them human, force them to hear me.

— Vladimir Nabokov

A sense of security, of well-being, of summer warmth pervades my memory. That robust reality makes a ghost of the present. The mirror brims with brightness; a bumblebee has entered the room and bumps against the ceiling. Everything is as it should be, nothing will ever change, nobody will ever die.

— Vladimir Nabokov