Hal finds he rather envies a man who feels he has something to explain his being fucked up, parents to blame it on.

— David Foster Wallace

...having a lot of money does not immunize people from suffering or fear.

— David Foster Wallace

He could do the central pain the same way: Abiding. Here was a second right here: he endured it. What was unhealable-with was the thought of all the instants all lined up and stretching ahead, glittering. And the projected future fear. ... It's too much to think about. To Abide there. But none of it's as of now real. ... He could just hunker down in the space between each heartbeat and make each heartbeat a wall and live in there. Not let his head look over. What's unendurable is what his own head could make of it all. ... But he could choose not to listen.

— David Foster Wallace

His parents’ pregnancies must have been all-out chromosomal war

— David Foster Wallace

How can even the idea of rebellion against corporate culture stay meaningful when Chrysler Inc. advertises trucks by invoking “The Dodge Rebellion”? How is one to be bona fide iconoclast when Burger King sells onion rings with “Sometimes You Have to Break the Rules”? How can an Image-Fiction writer hope to make people more critical of televisual culture by parodying television as a self-serving commercial enterprise when Pepsi and Subaru and FedEx parodies of self-serving commercials are already doing big business? It’s almost a history lesson: I’m starting to see just why turn-of-the-century Americans’ biggest fear was of anarchist and anarchy. For if anarchy actually wins, if ruthlessness become the rule, then protest and change become not just impossible but incoherent. It’d be like casting a ballot for Stalin: you are voting for an end to all voting.

— David Foster Wallace

How is there freedom to choose if one does not learn how to choose?

— David Foster Wallace

How odd I can have all this inside me and to you, it’s just words.

— David Foster Wallace

Huh. Well you and I just disagree. Maybe the world just feels differently to us. This is all going back to something that isn't really clear: that avant-garde stuff is hard to read. I'm not defending it, I'm saying that stuff - this is going to get very abstract - but there's a certain set of magical stuff that fiction can do for us. There's maybe thirteen things, of which who even knows which ones we can talk about. But one of them has to do with the sense of, the sense of capturing, capturing what the world feels like to us, in the sort of way that I think that a reader can tell "Another sensibility like mine exists." Something else feels this way to someone else. So that the reader feels less lonely.

— David Foster Wallace

I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profligate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself?... I think, Mrs. Starkly, that I am speaking of Mrs. April M.-T. Cadenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.

— David Foster Wallace

I am now 33 years old, and it feels like much time has passed and is passing faster and faster every day. Day to day I have to make all sorts of choices about what is good and important and fun, and then I have to live with the forfeiture of all the other options those choices foreclose. And I'm starting to see how as time gains momentum my choices will narrow and their foreclosures multiply exponentially until I arrive at some point on some branch of all life's sumptuous branching complexity at which I am finally locked in and stuck on one path and time speeds me through stages of stasis and atrophy and decay until I go down for the third time, all struggle for naught, drowned by time. It is dreadful. But since it's my own choices that'll lock me in, it seems unavoidable--if I want to be any kind of grownup, I have to make choices and regret foreclosures and try to live with them.

— David Foster Wallace