Stilton's work, he says, is now all about investigation. 'You literally are trying to find out what's happening and, finally, maneuver yourself to the point where you can take a picture, and then you're presented with a 20-minute window where it's: Okay, now get your picture!' His voice is charged with emotion. 'Fucking angst and worry and, you know, FEAR of failure – every aspect of that comes into those 20 minutes, so it's a very intense experience. So when I make those pictures, I'm worried; I’m nervous.

— Antonella Gambotto-Burke

Strauss admits to being obsessed by his mother's rejection, and with the resultant rents in self-esteem. The Game echoes with disturbingly abusive comments leveled at his adolescent self, a self he feels was unacceptable. With bravado, he expresses regret that he didn’t rack up more sexual conquests in his teens; in person, he expresses a truer regret that he was intimidated by life itself.

— Antonella Gambotto-Burke

The bar is masculine, and women must adopt traditionally masculine characteristics – cultivated insensitivity, goal-orientated thinking, the prioritizing of the material – to compete.

— Antonella Gambotto-Burke

The light in that room was a glow; I seem to remember the color green, or perhaps flowers. A pale green sheet covered his inert body but not his head, which lay (eyes closed, mouth set in a tense and terrible grimace) unmoving. Gianluca. Barely able to see, barely able to stand - my knees kept buckling – and breathing so quietly I thought that I, too, might die; that out of shock, I would just drift away, the shell of my body cracking open. No longer anchored by my brother’s love, I would be reabsorbed by sky. Gianluca. If there was never another sound in the world, I would understand – yes, that would be appropriate, it would be fitting. This was the antithesis of music, the antithesis of noise. My brother’s death seemed to demand silence of all the world. Gianluca.

— Antonella Gambotto-Burke

There is a world of difference between the experience of 'care' – the wiping of a bottom, the bathing of a body: basic biological obligations – and the intimacy that makes us want to live.

— Antonella Gambotto-Burke

There were times when I would sob until I shook, until my eyelids were so swollen that it pained me to open them, and through hiccoughs, trembling, I would hiss, don’t touch me! As he moved to place a gentle hand on my shoulder. There were times when we seemed locked into our chairs, discrete, the static between us more eloquent than words. But there was never a moment when I doubted Peter’s ability to heal me.

— Antonella Gambotto-Burke

The self-esteem of western women is founded on physical being (body mass index, youth, beauty). This creates a tricky emphasis on image, but the internalized locus of self-worth saves lives. Western men are very different. In externalizing the source of their self-esteem, they surrender all emotional independence. (Conquest requires two parties, after all.) A man cannot feel like a man without a partner, corporation, team. Manhood is a game played on the terrain of opposites. It thus follows that male sense of self disintegrates when the Other is absent.

— Antonella Gambotto-Burke

The very matrix of our ability to love and bond in later life, maternal sensitivity – or lack thereof – also determines cultural tenor.

— Antonella Gambotto-Burke

They sit beside each other on one of the sofas, Warwick leaning forward with his elbows on his knees, Joanne resting back with her arms behind her head. Never known as advocates of disestablishmentarianism, they have been applauded, ridiculed, and misunderstood by the media, and, in particular, criticized for their avarice. They have agreed to do this interview without "cabbage" (payment), but generally charge ten to twenty thousand dollars for the privilege. Even so, why should they be castigated for exploiting a medium that has exploited them? They see the situation simply enough: quid pro quo, and hold the mustard.

— Antonella Gambotto-Burke

This human need for mysticism – surrender to an unknown truth, union – stands at the helm of all romantic feeling. It is, in essence, the same intimacy known in a mother’s arms; in those who are deprived of the experience, the need freezes and, distorted, it can rent a life. All addiction has as its foundation skewed yearning for the same transcendence. For me, the spell of the material was broken by my brother’s death; after his suicide, all I wanted was the renewal of my connection to the intangible.

— Antonella Gambotto-Burke