Have more than one idea on the go at any one time. If it's a choice between writing a book and doing nothing I will always choose the latter. It's only if I have an idea for two books that I choose one rather than the other. I ­always have to feel that I'm bunking off from something.

— Geoff Dyer

Have regrets. They are fuel. On the page they flare into desire.

— Geoff Dyer

He was the subject of a little respectful ribbing. But he was, of course, the captain, which meant he had to do lots of the ribbing himself.

— Geoff Dyer

I always like to be in the presence of people who are good at and love their jobs, Irrespective of their jobs.

— Geoff Dyer

I am still moved by passages of Marx: the 'Critique of Hegel's Philosophy of Right,' for example, where, after the famous line about religion being 'the opium of the people,' he goes on to call it 'the heart of a heartless world.'

— Geoff Dyer

If you help them (the crew) create good memories, they'll forget all the bad stuff

— Geoff Dyer

I'm incredibly competitive in all sports in a way that is so mystifying to my wife because she grew up playing the violin and piano. I've always been like that.

— Geoff Dyer

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogs and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middle march. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

— Geoff Dyer

In the cramped confines of the toilet I had trouble getting out of my wet trousers, which clung to my legs like a drowning man. The new ones were quite complicated too in that they had more legs than a spider; either that or they didn't have enough legs to get mine into. The numbers failed to add up. Always there was one trouser leg too many or one of my legs was left over. From the outside it may have looked like a simple toilet, but once you were locked in here the most basic rules of arithmetic no longer held true.

— Geoff Dyer

It doesn't require much thought for one to realize that any travel book worthy of the name has to be a departure from the standard idea of the form.

— Geoff Dyer