Kierkegaard’s relation to idealism is not the confrontation of one ‘system’ with another, or the attempted substitution for philosophy of an anthropological science or a program for necessary social liberation. Nonetheless, he borrows more from German Idealism than his relentless campaign against Hegel would lead one to expect. This background is indicated in the title of one of his major works, Stages on Life’s Way, as well as in the subtitle he chose for his classic Fear and Trembling: A Dialectical Lyric. At the center of Kierkegaard’s thought is a project that parallels the plot of Hegel’s Phenomenology—namely, a philosophical outline of the ideal ‘pathway of consciousness’. Whereas Hegel describes four main stages in the social history of ‘freedom’, Kierkegaard focuses on four ‘stages on life’s way’ in the development of individual freedom. These stages are deeply Hegelian because they are ordered dialectically in a series of determinate negations, and they exhibit a progression of stages that employs —and then reorders —the key phases of Hegel’s ‘objective’ and ‘absolute’ spirit. In place of Hegel’s sequence—ethics, aesthetics, religion, philosophy—Kierkegaard uses the ascending order: aesthetics, ethics, philosophical religion, orthodox religion.