Only through the group, I realized — through sharing the suffering of the group — could the body reach that height of existence that the individual alone could never attain. And for the body to reach that level at which the divine might be glimpsed, a dissolution of individuality was necessary. The tragic quality of the group was also necessary, the quality that constantly raised the group out of the abandon and torpor into which it was prone to lapse, leading it to an ever-mounting shared suffering and so to death, which was the ultimate suffering. The group must be open to death — which meant, of course, that it must be a community of warriors.

— Yukio Mishima

On the spur of the moment she decided to go and view the blossoms by herself in the dark night. It was a strange decision for a timid and unadventurous young woman, but then she was in a strange state of mind and she dreaded the return home. That evening all sorts of unsettling fancies had burst open in her mind.("Swaddling Clothes")

— Yukio Mishima

Possibly a man who hates the land should dwell on shore forever. Alienation and the long voyages at sea will compel him once again to dream of it, torment him with the absurdity of longing for something that he loathes.

— Yukio Mishima

Reiko had not kept a diary and was now denied the pleasure of assiduously rereading her record of the happiness of the past few months and consigning each page to the fire as she did so.- Death in Midsummer and Other Stories

— Yukio Mishima

She did not know it, but she was actually in despair at the poverty of human emotions. Was it not irrational that there was nothing to do except weep when ten people died, just as one wept for but a single person?

— Yukio Mishima

So far as feelings were concerned, there was no discrepancy between the very finest feeling in this world and the very worst; that their effect was the same; that no visible difference existed between murderous intent and feelings of deep compassion.

— Yukio Mishima

So young and so lethargic! As though he had been born to sit and stare like this. Ever since Kiyosaki had confided in him, Shigekuni, who would have been bright and confident, as befitted such an able young man, had undergone a change. Or rather, the friendship between him and Kiyosaki had undergone a strange reversal. For years, each of them had been extremely careful to intrude in no way on the personal life of the other. But now, just three days before, Kiyosaki had suddenly come to him and, like a newly cured patient transmitting his disease to someone else, had passed on to his friend the virus of introspection. It had taken hold so readily that Honda's disposition now seemed a far better host to it than Kiyosaki's. The first major symptom of the disease was a vague sense of apprehension.

— Yukio Mishima

Stature’s bosom heaved with an ineffable surge of joy. “Every man is fighting,” he murmured. “Every man.

— Yukio Mishima

Suddenly the full long wail of a ship's horn surged through the open window and flooded the dim room - a cry of boundless, dark, demanding grief; pitch-black and glamorous as a whale's back and burdened with all the passions of the tides, the memory of voyages beyond counting, the joys, the humiliations: the sea was screaming. Full of the glitter and the frenzy of night, the horn thundered in, conveying from the distant offing, from the dead center of the sea, a thirst for the dark nectar in the little room.

— Yukio Mishima

The blossoms seem unusually lovely this year. There were none of the scarlet-and-white-striped curtains that are set up among the blossoming trees so invariably that one has to come to think of them as the attire of cherry blossoms; there were no bustling tea-stalls, no holiday crowds of flower-viewers, no one hawking balloons and toy windmills; instead there were only the cherry trees blossoming undisturbed among the evergreens, making one feel as though he were seeing the naked bodies of the blossoms. Nature's free bounty and useless extravagance had never appeared so fantastically beautiful as it did this spring. I had an uncomfortable suspicion that Nature had come to reconquer the earth for herself.

— Yukio Mishima